Agency and the Legend of Korra

So this past season of Korra was a amazing. I take back anything I said about the show not being as good as Avatar. That said, I want to talk about the star of Beginnings Part I and II, Avatar Wan. (I might make this a blogging series, because I REALLY LOVE THIS CHARACTER, so yeah, we'll see.)

Yup, we're talking about this cutie.

One thing that I really liked about Wan's story (Which is a lot! I love that guy! <3) but one thing I want to talk about today, is Wan's agency. You'll notice that everything that basically happens to Wan good or bad, is a result of his own choices. (DON'T READ THIS UNLESS YOU WATCH THE LEGEND OF KORRA, YOU HAVE BEEN WARNED) Examples:

• Leading a rebellion against the leader's of his lion turtle city in order to get food and getting banished.
• Saving Mula the catdeer and meeting his animal guide/getting to live with the spirits as a result. 
• Freeing Vaatu and letting a chaos spirit into the world.
• Training with Raava to master all four elements and bring balance to the world. 

Okay, so my point here is, most of Wan's problems or the blessings in his life happen because he chose to do things. Here are some good things to keep in mind when editing:

• Are things happening to my protagonist, or is my protagonist making things happen?
• Your character;s choices reflect the kind of person they are. For example, Wan is a mostly goodhearted character. Yeah, he occasionally steals to survive, but overall, he does things like steal because his friend are hungry or choses to save Mula because he pities her and has has a good heart. he even freed freaking Vaatu because he thought'd been bullied for 10, 000 years. A selfish character is going to make things happen that benefit them. A more selfless character is going to make choices that benefit other people. 
• Keep in mind that there should be other characters who have goals that conflict what your main character is trying to do. Look at the scene in Beginnings when Wan's human and spirit friends meet and get into a fight. Spirits hate humans because humans are little gits who are selfish and hate nature. Wan's human 'friends' (I use quotations there because I think they were sucky friends) want to take down the spirits because they're afraid and want to avenge their friends. When Wan's friends fight,it hinders Wan's goal to bring balance to the world, and as Raava points out, makes things worse. Basically, everyone--protagonists and antagonists should think THEY are the star of their own story. 

What I've learned about Writing So Far This Year

• When starting out, do the work. Take the time to flesh out those characters and the worldbuilding before you start--the way I see it, it's better to have a spare character or two that doesn't make an appearance on screen versus not having a character when you need someone. 
• Make even a brief outline. It will help if you story has an arc, some sort of... Something that tells you were it's going, no matter how vague.
• Betas are the bomb, end of story.
• Write about people, places, and things you love and writing will be so much more fun. 

My mom took this while on a recent vacation. As a reader, there's nothing more that I love doing than going... "Ahhhh, pretty!"

• Before starting, I like to write what I think of as "prefanfic." Okay, so it's not fanfic, because it's your storyworld, but here's the thing about fanfic--fanfic writers write their fic of the joy of the characters. And I think it's SO SO SO helpful to write from your main character's POVs until you feel like you know them and their dynamic with the other characters--to the point where spending time with them feels just as fun as writing real fanfiction. 
• Give characters quirks. It's good for characters to have backstory, and it's even better when that backstory gives them interesting quirks. For example, I have a character who fiddles with jewelry when she's nervous, because, long story short, she lost a family member that she loved who gave her jewelry, so she clings to jewelry as a lifeline of sorts, because it reminds her of her loved one. 

Captives by Jill Williamson

Captives had a lot of action going on from the very begining and the more I read this book, the better it got. I loved Mason, he was hands down the smartest of the Glenrock group. I didn’t like Omar. I mean, I got his need for love and acceptance, but it made him act a bit stupid. Levi and Jemma…. They felt almost too perfect to me.  I liked Naomi if only because she was the only of the women smart enough to go “hey, this is twisted.” I also really didn’t like swallow Mia.

The stupidity of the people in the Safe Lands made me want to gag. What with the way they were sleeping with multipule people NO WONDER YOU’VE ALL GOT STDS. And the mothers all are dumb enough to drink while preganant. Those people were SO DUMB. You think they’d realize a lifestyle change could save them, but noooooo.

So overall, not the best book I’ve read, but definately worth picking up. 4/5. You can buy it on amazon.

Go Teen Writers by Stephanie Morrill and Jill Williamson Book Review

The question we hear most from new writers is, “How do I get published?”

And the answer is: Respect your dream

Every writer’s journey is different, yet as we’ve reflected on our experiences and those of the writers around us, we’ve seen time and time again that those who are successful are the ones who had the patience and endurance to stick with this writing thing. They didn’t look for shortcuts (at least, not for long), nor did they quit after five, ten, or one hundred rejections.

We can’t make the process easy for you, but it’s our hope that this book will be a tool you can turn to time and time again when you’re thinking, “Okay … what’s next?”

Includes tips for:

-Getting published

-Finding the right agent

-Book surgery

-Thicker plots

-Deeper characters

-Richer settings

-Weaving in theme

-Dealing with people who don’t get your writing

If you’re a writer, I cannot recommend this book enough. I have found that it improved not only my plots, but my dialogue too! It offers great industry tips and through some of Jill and Stephanie’s stories—you can tell they’ve been in your shoes, so to speak. And the way they teach you about the publishing industry? Hilarious.

-Allison

Doing things different today... Book review!

The Revised Life of Ellie Sweet

I read this book in one day during finals week. During finals week. (Which is where I’ve been  the past two weeks, sorry guys!)

I really loved Ellie. As a fellow writer, it was so cool to read about her struggles. Though I did want to hit her for not being smart enough to give the girls she wrote into her books different names. I don’t get why she didn’t think to change that…

Who else… Palmer was meh. Sometimes he was adorable and sometimes he was a jerk, but he totally redeemed himself in the end!

Chase was my favorite! Even though he did stupid things (like telling his parents he and Ellie were dating when she said she didn’t want to date.) But he just understood Ellie so well. J

Bronte was okayish. I liked that she encouraged Ellie, but arugh, spoilers! I guess all I can say she started acting like a child at one point.

I also loved Karen! It was nice to see someone that Ellie had as a type of mentor. You don’t see adults around to help the main character enough in YA.

I laughed so hard at the narrowminded Grandma. I think that’s everyone’s grandma personified.

The ending… !!!! Great climax!

I don’t read contemporary, so the fact that I enjoyed this book really says a lot!

5 of 5 stars. You can purchase the ebook here. Rated 13+.

Waiting for the big one

One thing I've noticed on here is--all I do is give out advice. Which is nice... But maybe it would also benefit you guys if I talk about my writing struggles? Nothing too personal. (Don't want to be "that girl who complains all the time.") But maybe seeing my struggles will help you guys see, "Hey, I'm not alone!"

I feel no regret about shelving my previous project.  The more I think about it, the more I think "That was a terrible book and I can do better!" (Yes, I know one of my betas will read this and go "But I loved it!" Yes, and I love that you loved it, thanks girl. :D) I feel like my skills are growing and now that I know that, with my new-found knowledge, that book wasn't worth publishing... Like, ever.

So now I'm kind of stuck. I literally do not know what to write next. I've had ideas--but nothing that really screams 'WRITE ME!' I've written 5k for two decentish ideas. I like them but... Again, nothing I feel like I should be writing RIGHT NOW BECAUSE I LOVE IT THAT MUCH. I feel like I'm just... Waiting for that great idea to come. THE big idea.

When it comes I'll let you guys know. Or maybe I'll be selfish and hoard the idea all to myself and have it be sekrit. (Shannon Messenger talked about sekrit projects on her blog and I think it sounds super motivating.) Who knows?!

Let us see your characters and plot progression

I love Doctor Who, but is has been boring lately (Except for last night's episode, which I loved!!!) and lately I've been thinking about why. The answer comes down to two things:

1. A lack of character development.
2. A lack of plot progression.

Let's take an in depth look at those shall we (And if you're not a whovian, stick around! This applies to everyone!)

• A lack of character development.

 If we aren't given a reason to care, then guess what? People won't care! In my current book, I have a bit of an antagonist in that I've put her there solely to cause problems for the MC. BUT I want people to feel for her, so I've given her motivations deep down, that once the reader sees them will make them hopefully feel... Something for her. Hopefully pity. If, however, I keep her forever in a state of "OMG, this character is so mean, I hate her." Then I'll never get to challenge how the reader feels about her, which is what I want.

• A lack of progression in the plot.

If your story doesn't move forward, people will get bored. I mean, how long do you stick with a book if you get bored? For me, less than twenty pages. That means you have better keep the plot moving, and FAST. If you slow it down, you had better have a good reason. Like character development for example. :)

I mean, in the case of Doctor Who, I get the feeling they're slowing down character/plot progression so they can withhold the good stuff for the series/season finale and/or the 50th anniversary. 

But they're only limiting themselves as writers. What they SHOULD  be doing is revealing the good stuff now and giving us MORE good stuff... See Downton Abbey for an example of this. 

Have a great day guys.